Due to its depiction of society under Park’s regime, however, a huge chunk of the film was deleted when it was played in theaters. There are films like “March of the Fools,” directed by Ha Kil-jong, which includes heavy social commentary and is considered one of the best films of the era. Under the dictatorship, which imposed strict censorship, a film could be banned if it could potentially infringe upon constitutional law or undermine the authority of the state, disrupt the social order, cause friction between Korea and other countries, or cause the people to “slack off.”īecause of this clampdown on social, political and ideological dissent, sexuality prevailed on the screen, giving rise to the so-called “hostess films” that featured sex workers as protagonists like “Yeong-ja’s Heydays.” The same year, military junta Park Chung-hee took power and so began a dark era in Korean political history. Kang Dae-jin’s 1962 film “The Coachman” became the first Korean film to win a major international award, taking the Silver Bear Jury prize at the 11th Berlin International Film Festival. The year 1962 saw masterpieces like Kim Ki-young’s provocative “The Housemaid” and Yu Hyun-mok’s “Obaltan,” which depicted the bare, cruel reality of the postwar struggles that the citizens had to go through.
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All the earlier films have been lost.Īfter the 1950-53 Korean War, South and North Korea parted ways, as did their film industries.Īs South Korea rose from the ashes of the war, its film industry began to boom, seeing the number of films produced increase exponentially from 15 in 1954 to 111 the very next year. In 2007, Ahn Jong-hwa’s 1934 silent film “Crossroads of Youth” was discovered and restored, making it the oldest Korean film that still exists today. The 2015 film “Assassination,” the 11th-highest grossing film ever here, is the story of fictional independence fighters who attempt to assassinate Japanese bigwigs in Gyeongseong, the former name of Seoul. Numerous films have carried the torch of “Arirang” till this day, telling stories of the Koreans’ struggle to maintain their national identity and throw off Japan’s rule. Encompassing the theme of national pride and resistance against Japan’s colonial rule, it was the first nationalistic film of the colonial era, a time when the colonizers were attempting to glorify their actions through the medium. The 1921 film “Chunghyang-Jeon” is believed to be Korea’s first feature film, but many consider the 1926 silent film “Arirang” - written, directed and starred in by Na Woon-gyu - one of the most important works of early Korean cinema.
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It played at the historic Dansungsa Theater, which had previously played only imported films since it opened in 1907. But Korea’s first domestic film was “Uirijeok Gutu (Fight for Justice)” of 1919, which was actually part film and part theater piece. It was sometime around the turn of the 20th century, and may have been as early as 1897. There is a dispute about when exactly motion pictures landed on the peninsula.